The author and film-maker explores dance, desire, mortality and transcendence on a wild autofictional journey Miranda July's characters often wonder what is real and what's not. How far can our minds take us - dreaming, fantasising, making art - and when must we return to a shared reality? "Real comes and goes and isn't very interesting," a therapist advises in July's 2015 debut novel, The First Bad Man. Most of the characters in her 2005 debut film, Me and You and Everyone We Know, throw themse...
The author and film-maker explores dance, desire, mortality and transcendence on a wild autofictional journey Miranda July's characters often wonder what is real and what's not. How far can our minds take us - dreaming, fantasising, making art - and when must we return to a shared reality? "Real comes and goes and isn't very interesting," a therapist advises in July's 2015 debut novel, The First Bad Man. Most of the characters in her 2005 debut film, Me and You and Everyone We Know, throw themse...
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